The world of Portuguese new music-avant jazz is a most fertile one. I have been happy to cover it increasingly over the years. It surely forms one of the more vibrant and varied, innovative and original scenes out there today. An especially rewarding outfit is that of LAMA, which if you type their name into the search box above you will see I have been reviewing on a regular basis for some time. The latest, Metamorphosis (Clean Feed 433) brings into the fold once again clarinetist-bass clarinetist Joachim Badenhorst for a rather riveting set. LAMA itself consists of Susana Santos Silva on trumpet, Goncalo Almeida on double bass, keys, effects and loops, and Greg Smith on drums and electronics.
The music combines compositionally directed and free improv sounds in very logical and earthy ways. Of the five segments as recorded at Jazzcase last January, three are by Almeida, and one each are by Badenhorst and Smith. Ms. Silva has ubiquity and strength on trumpet; Badenhorst counters with his own clarinet-family gumbo. The rhythm-electronics team of Almeida and Smith bring a huge presence to the music conceptually and personality-wise. They are a big reason why everything hangs together while it expands outwards continually.
I cannot do proper justice to the music using the words at hand to me this Monday morning. That would take a great deal more effort, because this is not easily categorized. It is new, involved, evolved and free yet carefully thought-out. What is important is in the hearing, after all.
And so I do heartily recommend you hear this one repeatedly. It is much a thing to absorb you and give some meaning to what is the modern now. Take it on seriously and you will be the richer for it.