Jazz Prospecting reviews by Tom Hull


Ken Filiano & Quantum Entanglements: Dreams From a Clown Car (CF 207)
Bassist, a guy who has an uncanny knack of showing up on good records (John Hébert is another one), finally turns in one of his own. Two sax quartet, with Michaël Attias on baritone and alto, Tony Malaby on tenor and soprano, with Michael T.A. Thompson on drums. The two horns work in tight patterns — not a lot of freewheeling here, but the loopy melodies and vibrant textures are engaging. B+(***)

Joe Hertenstein/Pascal Niggenkemper/Thomas Heberer: HNH ( CF 205)
Got off on a tangent here: I had a database entry (Penguin 4-star record) for a Christoph Heberer, which is certainly wrong. There is a drummer named Christoph Haberer, and the trumpet player Thomas Heberer. Finally decided that the record in question belongs to Heberer, who was b. 1965, plays quarter-tone trumpet, has a scattered list of recordings since 1987, some trad jazz, some avant — Alexander von Schlippenbach, Misha Mengelberg, Aki Takase. Hertenstein is a drummer, and has a slight edge in compositions over Heberer. This is his first album. Niggenkemper plays bass, has one record from 2008 on Konnex. Tight, fairly minimal free jazz. B+(**)

Tony Malaby’s Tamarindo: Live (CF 200)Originally a tenor sax trio with Malaby, William Parker on bass, and Nasheet Waits on drums. This time adds Wadada Leo Smith on trumpet. Sounds like a good deal, but Smith focuses on the tight riffing he specializes in, and Malaby never breaks out — sound seems a little muffled to me. B+(*)
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