The Wire review by Barry Witherden

Scott Fields Ensemble – Denouement (CF 088)

This session, featuring two trios of guitar, bass and drums, was cut in December 1997. Chicago based guitarist Scott Fields hawked the recording around for two years, and the labels that bit either backed out or went broke. In desperation he pressed some copies and issued them through his own short-lived label, called Geode.

It would have been easy for the members of the twin trios to get locked into some kind of contest, but Fields chose colleagues aware and willing enough to co-operate rather than compete, and the two winds of the ensemble dovetail superbly into an integrated unit. Fields’s co-guitarist is Jeff Parker, the bassists are Jason Roebke and Hans Sturm, the drummers Michael Zerang and Hamid Drake: it would be hard to distinguish them in a blindfold test, as the players echo, interweave (and listen to) each other with considerable subtlety.

For the session, Fields devised related but dissimilar pitch sets for the two trios, and specified time signatures equal in length but divided differently. If this suggests the music is dry, it isn’t though it is often contemplative and a little opaque. Those, and there seem to be many, who hated Jeff Parker’s sometime gig in Tortoise and the 2005 Fields/Parker collaboration Song Songs Song (Delmark) are perhaps unlikely to connect with Denouement, but for my ten cents it’s inventive and consistently engaging.

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