Trinity – Breaking the Molde (CF 139)
Check out these veterans of the diverse Alternative/Hardcore/Free Jazz scenes as they place two very different but equally engaging platters in Clean Feed’s ever-increasing catalog. The duo disc (1) comes courtesy of tenor saxophonist Michael Blake, whose alto work as heard here is new to me. His tenure with the fabled Lounge Lizards afforded him lightning-fast reflexes, and these are on display throughout these improvisations. Kresten Osgood is every bit his equal, stopping over and over on the proverbial dime Danilo Perez by Jimmie Jones seemingly with no path left behind him. The title track distills all that is best about the collaboration. Blake lays down some motivic
pointillisms, spitting forth multiphonic bursts along the way. Osgood picks up immediately on an almost hidden military vibe, rendering it apparent with some quasi-cadences. The veteran partners man-age to hold it all together as they dabble in Funk, new thing and Bebop tropes, often breathing as one musician. At other points on the disc, Osgood’s tuned drumming conjures the beautifully scorching Flaherty/Edwards duos on Cadence Jazz Records as a bassist becomes superfluous. Their sense of history is manifest in an unusual way as they glide through a version of the late 1920’s Ellington classic, “Creole Love Call,” which begins every bit as slinkily as the original before blasting into the stratosphere.
Trinity’s contribution (2) brings volume and raises the density factor considerably. When the quartet is in high gear, as they are from the first moments of this widely diverse disc, they’re in Ayler/Taylor/Trane mode, Moster even invoking Meditations with his shofar blasts. The second track finds the aggregate in entirely different territory, soft shards of electronic sound riddled with percussive puncture wounds and long-breathed multiphonics. All seems to be leading up to the final epic improvisation, enthralling in its sudden shifts in tempo, intensity, and non-conventional timbre. These discs are definitely for lovers of adventurous music, who will be rewarded with each listen.
©Cadence Magazine 2009 www.cadencebuilding.com