Jazz Prospecting reviews by Tom Hull


Jaruzelski’s Dream: Jazz Gawronski (CF 211)Italian sax trio, with Piero Bittolo Bon on alto (and smartphone), Stefano Senni on bass, and Francesco Cusa on drums. Don’t know where they came from, what they’ve done in the past, or why they’re obsessed with all things Polish. I can begin to unravel such jokes as “Soulidarnosc” and “Mori Mari Curi” (the discoverer of radioactive elements like “Polonium” that killed her) but not “Swiatoslaw” or “Zibibboniek” or “Maria Goretti Contro Tutti.” Presumably the group name honors (if that’s the word) the last Communist dictator of Poland, Wojciech Witold Jaruzelski. Gawronski, however, appears to be an Italian politician, prominent in Berlusconi’s Forza Italia, first name Jas, easy enough to play off. Gruff, garulous free sax, with enough beat to keep it steady. For a while I thought “Sei Forte Papa” was “New York, New York.” I wouldn’t put anything past them. B+(***)

Billy Fox’s Blackbirds & Bullets: Dulces (CF 204)
Percussionist, credited only with maracas here, has two previous albums, The Kaidan Suite and Uncle Wiggly Suite, and a couple of side credits — e.g., worked with Bobby Sanabria. So how does a maracas player sustain interest? He recruits players I’ve barely (or never) heard of, spread out among two saxes, trumpet, keybs, a one-track violin guest, and gives them each a few minutes to stand up and out. Also does a superb job of working out horn charts for transition. B+(***)
http://www.tomhull.com/blog/archives/1567-Jazz-Prospecting-CG-26,-Part-3.html?PHPSESSID=6c92a8fbe0e7d78232edb35b59c888e8

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