JazzWrap review by Stephan Moore

Marty Ehrlich – Frog Leg Logic (CF 242)
So I’ve really only starting getting into Marty Ehrlich work in the last few months but what I have listened to has impressed me beyond belief. His most recent, Frog Leg Logic, with his Rites Quartet is, simply put — sumptuous. A melting pot of themes, developed by a solid band and a great deal of inventive writing by Ehrlich, makes Frog Leg Logic a joy to experience from start to finish.

Built on post-bop aesthetics, Ehrlich leads this quartet through some fantastic compositions. In addition, the members each rise to the challenge and create some high voltage duel exchanges with their leader. “Frog Leg Logic” opens up with this high energy and never let’s go. Zollar and Ehrlich have intense exchanges that fuel this piece with a confidence and boldness that carries throughout the session. Sarin’s drumming is rapid-fire but with a rhythmic quality that will have you banging along with the beat.

“Ballade” with its expansive yet reflective mood gives the listener a sweet sense of the blues as seen through the eyes of Ehrlich and Roberts. Hank Roberts’ performance on cello is amazing. He plays the instrument with such smoothness and diversity that you almost don’t recognize it as a cello until you look at the album credits. Really incredible musicianship. Ehrlich has a few moments throughout this piece where he and the group spin outward into a more free form atmosphere but then quickly return to the blues base of the song and eventually let you fade gently into its closing chords.

“Walk Along The Way” settles into an almost third-stream mood. It’s sparse, dense and quiet. Sarin and Roberts add elements and harmonics that echo back and forth in your eardrums. Ehrlich’s performance is steady and exploratory. Improvised notes and breaking patterns that are aptly matched by Zollar, making a stellar tandem.

“Solace” showcases the quartet in a funky yet quiet mode. Almost Brazilian at heart, this piece is romantic yet avant garde all in the span of a few short minutes. Ehrlich takes up flute for this one and sounds perfectly at home, providing refreshing perspective and contrast to the previous tracks leading up to this point.

“The Gravediggers Respite” returns the listener to the original themes of the session’s opener. Ehrlich and Zollar are rolling with thunder and verve that will have you excited and stunned. Zollar is sublime, rattling off notes like Dizzy Reece or Clifford Brown. Sarin delivers a scorching improvised solo towards the end.

I was blown away by Frog Leg Logic. Fred Ehrlich shows that he may be one of the best kept secrets on both sides of the Atlantic. Frog Leg Logic is a brilliant work with various motifs that I think will be eye opening for many.

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