Touching Extremes review by Massimo Ricci

THE AMES ROOM – Bird Dies (CF 231)
This record from 2011 is definitely suitable for allegorizing the concept of “getting lost”. You can attempt to fine-tune the ears a bit, and start analyzing the kind of technical contribution by a single instrumentalist. But the guess here is that after about 15/20 minutes (at best) of the circa 48 that incorporate the performance the brain will be stabilized on “blurry standby” mode, and the physical essence – most preferably, the limbs – will be doing the hard work. Basically, Bird Dies is made of diminutive rhythmic and melodic follicles that keep revolving around themselves with rambunctious vehemence, interlinking parts producing a sort of agglomerative acoustic frenzy. Yet there is no primitivism involved, as Guionnet, Thomas and Guthrie are three outstanding instrumentalists who do not need highbrowed deceptions to stymie the probity of their quest. Their success in this context depends on a congenital ability in originating driving stoutness substantiated by decipherable configurations. Try as one might to put some distance from the resulting exhilaration, it’s very probable that these ferociously half-broken orbits will defeat the resistance to insistent foot tapping and autistic head nodding. Nimble acridness, sinewy muscle and polymorphic pulse: nothing is missing. Just add the punch-drunk syndrome granted by a loud playback.

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